TECHNICAL
For those who like to know, the majority of the documentary was produced with relatively inexpensive gear (in the audio world, you can spend a whole lot more!)
RECORDING GEAR
- Field Recorder ZOOM H5
- Field microphone RODE NTG4+ with blimp & fluffy
- Backup microphone RODE Reporter
- Backup microphone and atmos ZOOM 5 X/Y mic capsule
- Backup field recorder & microphone ZOOM H2n
- Headphones SONY MDR-7506
- Studio microphone SE Electronics SE-X1
- Reflection filter SE Electronics RF-X Reflexion
- Telephone hybrid unit (BayFM Studios) for Richard Gill interview
RECORDING & MIXING in HOME STUDIO
- DAW Hindenburg Journalist Pro + WAVES plugins
- Sound Card AVID Fast Track Solo
- Sound Card Native Instruments Komplete Audio-6
- Near Field Speakers Behringer MS40, for mixing in home studio
- HP Envy PC i5 8GB RAM
- LaCie 1 TB external hard drive
MUSIC & SOUND EFFECTS
- Music Creative Commons licensed via Free Music Archive
- Sound Effects via Audioblocks
- Foley by me
OTHER EQUIPMENT
- DSLR Nikon D3200 with 35mm and 80 mm lenses
- External RODE Videomic
- RODE Lapel mic
- Lowepro S&F Waistbelt and S&F pouches/bags
- Lowepro Trekker AW 100 backpack
- Tripods for camera & inverted for microphone
PREFERRED SUPPLIERS
- Audio gear supplied primarily by StoreDJ
- Stands and cables from Swamp Industries
- Camera gear and bags from Ted’s and Digital Camera Warehouse